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- <text id=94TT0491>
- <title>
- Mar. 07, 1994: The Olympics That Came In...
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Mar. 07, 1994 The Spy
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- FIGURE SKATING, Page 65
- The Olympics That Came In From The Cold
- </hdr>
- <body>
- <p> Even before Nancy and Tonya skated onto center ice, the Winter
- Olympics were making TV history. For the first 11 days of the
- Games, prime-time viewership was up 37% over '92. Then, for
- the women's short program on Wednesday night, ratings soared
- to an astonishing 48.5, meaning 48.5% of all U.S. homes with
- TV sets were tuned in, making that broadcast the sixth highest
- rated TV show of all time. Friday night's figure-skating finale
- garnered a smaller but still huge 43.9.
- </p>
- <p> After years of fragmenting TV audiences and drooping ratings
- for even major sports events such as the Olympics and the Super
- Bowl, the networks had cause to cheer: Lillehammer showed that
- couch potatoes can still be lured back. The Games' popularity
- also disproved one bit of conventional Olympics wisdom--that
- live is better than taped. Although the prime-time events were
- canned and the results known beforehand, viewers couldn't seem
- to turn away.
- </p>
- <p> The TV coverage drew the usual complaints and critical brickbats:
- too much feature material, not enough action; too much cheerleading
- from the commentators; too much coy withholding of the video
- for key events until prime time. Yet nothing CBS Sports did
- was quite as embarrassing as the performance by the network's
- news division. Connie Chung spent 1 1/2 weeks playing Tonya
- Harding's shadow. And Dan Rather joined her in fake-cuddly promotional
- spots for the CBS Evening News that may drive away the few viewers
- it has left.
- </p>
- <p> But the Games created as many stars as it tarnished--notably
- Greg Gumbel, who did a businesslike job anchoring the coverage,
- and David Letterman's mother, who sent back homey reports from
- Lillehammer for her son's late-night talk show. Indeed, the
- spectacular ratings proved that CBS was doing something right.
- Each evening's program was crafted for maximum dramatic effect,
- with heroes, suspense and, almost always, an ending accompanied
- by The Star-Spangled Banner. Who cares if it's old news when
- you've got a TV movie like that?
- </p>
- <p> By Richard Zoglin
- </p>
- </body>
- </article>
- </text>
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